Douglas has been a Digital Theatre specialist working in Universities in the US, UK and India and have received a fellowship award for Promising New Research from the University of the Arts London and a grant from the British Arts Council to lead Digital Performance for the UKIERI Thematic Partner at Hyderabad University, India.

Douglas has worked in design in theatre throughout New York and Chicago including the Apple Corp NY, John Drew Theatre, East Hampton NY and Steppenwolf Theatre, Chicago. Now based in London he has worked as lead artist on numerous commissioned projects in collaboration with the  Birmingham Royal Ballet, Save The Children International, and the Greenwich/Dockland Festival London.  Douglas’s designs for Harold Pinter’s Birthday Party is currently held in collections in the British Library Collection in the Pinter Archives.

Recent Video designs credits include:

The Witches of Eastwick (2Entertain/ Cameron Mackintosh)  Grease (UK National Tour) Pinocchio (Texas Ballet Dallas/National Ballet of Canada, Chor: Will Tuckett), Hogarth’s Progress (Rose Theatre) An Officer and a Gentleman (UK National Tour), Sunset Boulevard (UK National Tour),   Tale of Two Cities (Regent’s Park Theatre, London), Into the Woods (West Yorkshire Playhouse), The Mystery Plays (York Minster Cathedral),  Don Giovanni (Hampstead Garden Opera Company), I Love You, You’re Perfect, Now Change (Royal Welsh College of Music and Drama), Mozart and Son: Benefit Gala (Royal Opera House, London) 300th Anniversary Gala (St Johns Smith Square, Dir: John Caird), Nine O’Clock Slot (Ice and Fire, Red Gallery), Letter of Last Resort (Traverse Theatre, Dir: Nicolas Kent), Sticks and Stones (Polka Theatre), Miss Atomic Bomb (Ambassador Theatre, London), Dance Marathon(Barbican Theatre), Fit and Proper People and Silence (Royal Shakespeare Company), This Isn’t Romance (Soho Theatre, Dir: Lisa Goldman), Turn of the Screw(Arcola Theatre),  Harold Pinter’s Birthday Party (Commissioned by Lyric Hammersmith)  Monsters (Arcola Theatre)